content

From: "P[urrsonal]A[reah]N[etwurker]"
Date: Fri, 08 Sep 2000 11:16:24 +1000


***dif.fur.rent spacez*********************************************

At 08:05 AM 10/03/00 +1000, you wrote:

>Is your experience of cyber space changing the way you relate to and

conceptualise material space?



a[h!] chinese box with-n a[h] codec box with-iN a[h!] kodex box....



i sit @ mi mezchine and poke n textprod the screen, while birds sing and

codez khime along...



mi source Kode getz re-wrightten, i sleep n eat and source N type and

ab.sorb[ic - orange jooze N toast meatz my email n-deavourin; garlic prawns

and wine reside with talk n torque; voicemail N mezzagez N my pardner's

smooth body tendrill-touch[e] the o.ther[e].....]



mi wurdz blend, my text taps dance, my blood re.acts n hearz the sounds of

the spaces real and flesh m-patient...



mi breath steamz, my fingerz itch n glide, my tronics melt and cum inside

my shell....



mi other dopplez, my gangerz stretch, mi dopplegangs N gongz....



[n-sert: a seamlezz split; a[h] cord that plugz in2 my spine; a gap that

echos life n /nick life]



[n-sert: a[h] playful pen; a clacking board n gigglez; a hair flik n sore

finger paddz]



[n-sert: ah dog panting; a recording ov a dog panting; a animation of the

sound of a dog panting]



codic boxez meetin monitor boxez meetin cortex [purr.ception]

boxez....fingertipping gamez N slow smooth arching sonicz....



[end]



2.****Re[ap]: Th[es]is Mes.sage was[h my space with text********

>Th[es]is Mes.sage was[h my space with text, drench my wonne-tonne-wurdz in
silken static and blend yr boundariez] unde[r yr thumb, yr noze yr
ovariez]liver[N kidneyz N prostrate[tingz]z]able due to the follow[inge the
stuporic superhighwaze]ing reas.on[N off, flik off N on]:
><
>A[h!my stomach iz full, my life n-shurted here] mess.[i feel mi]age was
[k]no[t]t de.livered[thru the trial, the nexus, the liphe N thymez of
n-other, a surrogate, a dopple.gang-gang.er, streaminge sound N wavz]
be.cause[ov it all, i feel, stretch marked and brand-ed] I[nfo]T[echne]
would create a mail[e] l.oop[s, i mean, ov course, female as well].
><
>T.[s]he a.ddress[inge inna rosebuddish-pink 1, or raveing-red, circuz
colourz refr.act-ted N the flowe[ur[l]]] be.low[the gender linez n
communication blurbz] do not be.[hivez N wartz N all]long to an.y[-talk N
IRC] ac[k!].counts on this machine,so[-so, this drink, this cravin, this
D-sire & [dental]damnation]] an at.tempt[inge izzn't it? we all live here,
B-neath N on[line-a]top ov] w.as[izz] mad.[with luzt and truzt N nuthin ov
the sort]e to for.ward[ing ovv the Devil, spirits re.spl[e]en.dent[ata]]
the mess[N dirt, crave again that simpelle x-istence, failin]age to the
des[ertin, breakage, splinter]ti.nation[of webbishwhorez] h.[l]ost.
How.ever[n eva ah[wo]men, again], the destin[ee ahweightz, is clogginge
mixturez of texttinct and tractz].ation ho.st[op! 2 much!] is
T.HIS[z.......hizzzz] ma[mez]chine, but under

>a different name.
>
>Here are a few possible solutions for clearing up this problem:
>
> - return the mail since the address was invalid
>
> - add an account or alias for the recipient and
> resubmit the message
>
>If this machine should be handling all [femme]mail for the destination
>host, it should be added to the list of Local-Mail-D.[w]om[b].ains in
>the "Sy.stem[n petal, bloom n bruise] Co[dependent].n.figuration."
>
> Destin[y here 2, stop-N-stare]ation ho[ho-heh]st: mail.[net].wurk.[u
r in a rightte]state.org.uk
>
>The following recipients did not receive this message:
>
>
>
>Please reply to Post[wo]ma[n]ster@th[es]is.message.was[h my wurds with
tractz].org
>if you feel this message to be in [t]error.
><

3.*****tingelle translationz******************


thort i'd start with the m-peto.us[aNd eye N ewe, 2, ahgain] ov doodling,
ro[wo]manticizm, gra[ph 2wards, n-side, with-in]fitti.....

2 doodle is 2 paint a thousand pixellez in2 dust, remove the conscious N
splurge, push the blank buttone N wait, zelf-auto[no][sodo]mize, rewinde 2
the birthin pointte, jump the logic queue and nitrouslee-ox.[h]ide blast
out.s[ch]ide the ot.her[N hymn n them].....

romanti.sizing[up n down sizing, full-blown ah!lert in2 a scape of mind &
thyme] izz a ghost itzelf, bringin e-motional.l loadz the size of planettez
N tears the shape ov physic[alli n the etheral]s....

graphit[e]ti..the wurds tumbelle N spilt on contackt, removing all hope of
the joinne , the onenezz 1ce there but absence now concretez the act and it
izz gone, 4 good?

<>

thought i'd start with the impetousness of doodling, romanticism,
graffiti.....

to doodle is to paint a thousand pixels into dust, remove the conscious and
splurge, push the blank button and wait, self-automise, rewind to the
birthing point, jump the logic queue and nitrously-oxide blast outside the
other.....

romanticising is a ghost itself, bringing emotional loads the size of
planets and tears the shape of physics [and the etherals]....

graffiti...the words tumble and split on contact, removing all hope of the
join, the oneness once there but absence now concretes the act and it is
gone, for good?



***************************************************
thor[ugh]t eye'd start wiff the m-peto.us[elezznezz] ov droolin,
ro[wo]manticizm, gra[ph 2wards, n-side, with-in]fitti.....

2 droole is 2 paint a thousand glandularz in2 duzt, remove the conscious N
spit, pu.she the numbe buttone N wait, zelf-salivate, rewurk 2 the breathin
pointte, juice the l[og]ickin queue N hide the blast out.s[ch]ide the
mouthe.....

ro[a]m.ovein izz a gate itzelf, bringin akward motional loadz the shappe ov
the etheral....

graphick...the wan.tonnes tumbelle N spilt on creazing, replayin the
joinne, the absence now stable, the act and it izz gooode, izz it [k]not[t]?

<>

thought i'd start with the impetuousness of drooling, romanticism,
graffiti.....

to drool is 2 paint a thousand glandulars into dust, remove the conscious
and spit, push the numb button and wait, self-salivate, rework to the
breathing point, juice the licking queue and hide the blast outside the
mouth.....

removing is a gate itself, bringing awkward motional loads into the shape
of the etheral....

graphic...the wantons tumble and are spilt on creasing, replaying the join,
the absence now stable, the act and it is good, is it not?

***************************

2 dreade is 2 pulze within a nuance, ah thousand pixelle-pintz of kode,
rewurked and grounde in2 the conscious. we all push back N wait,
grief-scarred ore zelf-auto[no][sodo]mized, rewindin 2 the birthin pointte
N jumpin the logic queue...

manic up n down sizing, full-blown ah!lerting in2 a scraping izz a ghost
itzelf, bringin e-motional.l loadz the size of pretend tears...

all wurds tumbelle N spilt on contackt, renewin all hope of the joinne but
crackin the onenezz, absence now creakz the act and it izz gone, 4 good?

<>

to dread is to pulse within a nuance, a thousand pixel-pints of code,
reworked and ground into the conscious. we all push back and wait,
grief-scarred or self-automised, rewinding to the birthing point and
jumping the logic queue...

manic up and down sizing, full-blown alerting into a scraping is a ghost
itself, bringin emotional loads the size of pretend tears...

all words tumble and are spilt on contact, renewing all hope of the join
but cracking the oneness, absence now creaks the act and it is gone, for
good?

***************************

2 draw iz 2 pounde ah nanosand pixelle in2 kode, rewounde and gritty. we
all painte ore mark, scar the medium 2 the concept pointte...

moulte up n down, full-blown shed[yr skinne]ding[!] that windez in2 a
scraping e-motional.l load the size of poult[ry]ice tears...

all feathurz twizt N split on contackt.

<>

to draw is to pound a nanosand pixel into code, rewound and gritty. we all
paint or mark, scar the medium to the concept point...

moult up and down, full-blown shedding that winds into a scraping emotional
load the size of poultice tears...

all feathers twist and split on contact.

***************************

[thizz is the tumble of graffiti, the smear of thort.flit and markologiez
bound, the colour of the hip N the rhythm ov the hop.....a unit reversed N
atom broke, rejoined @ the lip ov sense N the t[aste]ongue ov sound without
the music tag N lab[ia]elle]

[my wurds r the misheard, songz played N lyrics chewed in2 the wrong,
non-lit[t]er[s ov young 1s]al...cut up wurds from pulp mags N muze, paste
em in2 a youthful clutch of terms N breaks...grab ah crayon N scrawl,
breaking the nub N pointte N gettin it all]

<>

[this is the tumble of graffiti, the smear of thoughts that flit and
markologies bound, the colour of the hip and the rhythm of the hop.....a unit
reversed and atoms broken, rejoined at the lip of sense and the tongue of
sound without the music tag and label]

[my words are the misheard, songs played and lyrics chewed into the wrong,
non-literal...cut up words from pulp mags and muze, paste them into a
youthful clutch of terms and breaks...grab a crayon and scrawl, breaking
the nub and point and getting it all]


****************************************


+++|++++++++++++++++++|+++++++++|++???
data]h![bleede-inge un.till it hertz
+
wollongong.starway.net.au/~mezandwalt
+++|++++++++++++++++++|+++++++++|++???